Since the 1980s, the multidisciplinary artist has been exploring the nature of identity and pressing boundaries with her sharp, boundary-pushing works.
Lorna Simpson, an artist, wowed Essence magazine readers in January with collages of Rihanna, the month’s cover star. The piece was part of Simpson’s ongoing “Earth & Sky” series, in which she replaces the hairstyles of Black women in vintage advertisements with decoupaged images of precious metals and cosmic matter, challenging the notion that our hair is anything less than sublime.
The artist overlaid photographs of the singer she took with vintage photographs from The Associated Press, decades-old Ebony magazines, and even 19th-century geological lithographs in each Simpsons Portrait. In addition to the cover, Rihanna collages adorned a dozen of the issue’s pages.
When did you first feel at ease identifying yourself as a working artist?
Because my parents, who aren’t native New Yorkers, decided to relocate from the Midwest before I was born. They were big fans of art and theatre and would take me to everything. They truly created a monster.
How on earth did you think I wasn’t an artist? My family only had me. My high school was an art school. For me, Art was already asleep. At the age of 18 or 19, when I started college, I was also acutely aware of racism and sexism. Even then, in 1979 or 1980, I remember thinking, “Oh God.”
How frequently do you interact with other creatives?
Whenever I need to. Many of them are friends of mine. When I decided to paint in 2015, I contacted Glenn Ligon, who had been doing so for decades. I spoke with Okwui Enwezor, who requested that I submit a proposal before he considered including me in that year’s Venice Biennale. I’ve also recently spoken with Robin Coste Lewis, the poet laureate of Los Angeles, and also check this topposttoday.
When it comes to measuring the Black existence, the bodies of people of color, and Indigenous people, a portion of our conversation has focused on millennia—not hundreds of years—but millennia. In this conflict over history and territory, these conversations have been amazing and liberating.
What is your favorite piece of artwork created by someone else?
“Phat Free” by David Hammons (1995–1999) The Whitney Museum curator Chrissie Iles’ office is where I first saw it, but I recently came across it on Instagram and was immediately drawn back to it. It’s so easy, captivating, and musical. He is aware that kicking a can along asphalt will produce a certain resonance, and that the interval between kicks will produce another resonance. He is also aware that catching up to it will produce further resonance. That piece is an expletive.
Make a Simpsons Caricature of Yourself
There is no better way to demonstrate your love for The Simpsons than to commission a cartoon version of your portrait, complete with Marge’s blue hair and Homer’s unibrow. You’ll wish your neighbor’s family was as hilarious as the ones on television after watching these lifelike yet slightly eerie cartoons.
The best thing about having a Simpsons parody of your portrait created is how simple it is to do. It only takes a few clicks to upload a photo of yourself, send it to one of these artists, and presto! Easy as pie, really.
Because they are all the work of a single, talented artist. You will quickly recognize and treasure each of our Simpsons drawings. This Simpson’s caricature portrait is an excellent gift for yourself or a loved one. It’s sure to put a smile on Simpsons fans’ faces everywhere.
Imagine yourself as one of your favorite Springfield residents, such as Homer, Bart, Marge, or another Simpsons character. Your face and body changed into one of five different Simpsons archetypes. By our cartoonists using photos of you and/or your family. You can send up to three photos per order, though it’s best to send one for each person to be drawn.